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高清影院

中华之剑
大陆国语2004
  故事发生在西南边陲桂明市。  桂明市一举破获“6.18”武装贩毒要案,但其中的种种疑点,引起了缉毒警察张海、刘仰的注意。经过周密的调查,他们怀疑这根本是一起假案!而假案的背后,隐藏着毒枭更加险恶的阴谋!刘仰很快就遭到暗杀,张海虽然侥幸逃脱,家人却惨遭毒贩的杀害。与此同时,缉毒大队的女警花陈梓岚,一心与毒贩们做殊死搏斗,却不料自己深陷在毒贩布下的亲情陷阱里,无意中竟成为毒贩的眼线。  年轻美丽的泰国凤凰集团董事长何倩倩,开始频频与桂明市政府走动,她的才华和魅力很快获得了市长孙长瑞的青睐,然而她的目的,仅仅是为了和政府搞好公关,好让凤凰大酒店有个官场靠山吗?香港黑帮老大魏堂主、港商林平、金三角毒枭岩晃、青年警官许文聪先后涌向桂明市,他们的真实身份到底如何?他们又有着怎样的阴谋或怀着怎样的使命呢?  为了彻底摧毁桂明市的制、贩毒集团,公安部与国际刑警联合制定了从“6.18”大案入手,代号“中华之剑”的专案行动。然而道高一尺、魔高一丈,毒枭把张海、陈梓岚等缉毒警察视为眼中钉,利用其在政府和公安高层中的内线策动了一系列的阴谋……习惯了贫穷、劳累、生命威胁的缉毒战士们,这一次所面临的,是前所未有的凶险和考验……

高清影院

死神假期
美国英语1934
  Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson  If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.  [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.  To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.  More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.  (Howard Schumann, talkingpix.co.uk)  In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.  (Dennis Schwartz, homepages.sover.net)  I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.  (Dave Sindelar, scifilm.org)  See also the remake: Death Takes A Holiday (1971)

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