青春之旅第二季搜索结果

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巴比伦5号第五季
美国英语1998
  In 2262, Earthforce Captain Elizabeth Lochley is appointed to command Babylon 5. The station grows in its role as a sanctuary for rogue telepaths running from the Psi Corps, resulting in conflict. G'Kar, former Narn ambassador to Babylon 5, becomes unwillingly a spiritual icon after a book is published that he wrote while incarcerated during the Narn-Centauri War. The Drakh, former allies of the Shadows who remained in the galaxy, take control of Regent Virini on Centauri Prime through a parasitic creature called a Keeper, then incite a war between the Centauri and the Interstellar Alliance, in order to isolate the Centauri from the Alliance and gain a malleable homeworld for themselves.  Centauri Prime is devastated by Narn and Drazi warships and Londo Mollari becomes emperor, accepting a Drakh Keeper under threat of the complete nuclear destruction of the planet. (Portions of the end of his reign are seen in various prescient visions throughout the series; they show Mollari and former nemesis (and later friend) G'Kar sixteen years in the future dying at each other's throats, seemingly out of their grudge. It is gradually revealed that there was a much more friendly subtext, with Mollari having become a slave to the drakh rule and being tired of life; his Drakh Keeper awakens and strangles G'Kar in return. Vir Cotto, Mollari's loyal and more moral aide, succeeds him as emperor, free of Drakh influence. Sheridan and Delenn marry and move to Minbar, along with the headquarters of the Interstellar Alliance. G'Kar leaves Babylon 5 to escape his unwanted fame and explore the rim. Garibaldi also marries and settles down on Mars. Most of the other main characters leave B5.  Nineteen years later on the verge of death, Sheridan takes a final trip to the obsolete Babylon 5 station before its decommissioning. Sheridan apparently dies but is claimed by the First Ones, who invite him to join them on a journey beyond the rim of the galaxy. Babylon 5 station is destroyed in a demolition shortly after Sheridan's departure, its existence no longer necessary as the Alliance has taken over its diplomatic purposes. This final episode features a cameo by Straczynski as the technician who switches off the lights before Babylon 5 is demolished.

高清影院

法律与秩序第十一季
美国英语2000
  纽约警察和检察官的故事,跨越15个春秋,1990年首播,至今仍受到亿万观众瞩目的长剧。  law & order第55届艾美奖最大的遗憾,已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧,这次却意外地未被提名,粉碎了它原本想要缔造的12次提名新高。  本片融警匪与法庭于一体的电视剧,片中讲述的犯罪基本原于真实生活,往往是近期报纸上的头条新闻。节目分为两部分,上半部分介绍警察研究现场,征询证人,提审嫌疑犯等一系列的侦破活动,后半部分详尽记录了案件侦破的后期工作,案件转交到检查官手里,检查官衡量案情,起诉,直到庭审,节奏紧凑,扣人心弦。由于最终坏人不一定被绳之于法,所以观众看的时候往往暗自捏一把汗。  这个剧集除了已经播出的15季之外,还包括3个特别的系列,一个是  Special Victims Unit 系列(6季),一个是Criminal Intent 系列(4季),和Trial By Jury  系列。可见其火爆程度。堪称NBC历史上,乃至美国影史上最宏伟的剧集。  "In the criminal justice jijikb.com system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "  这是Law & Order十四年如一日,也是我百听不厌的开场白,是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩,这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力,但是近来每回看Law & Order,都彷彿只是在等待后半小时的法庭戏上,也不是说前面的办案就不精采,但是总要在进入起诉过程中才显出本剧的成熟、世故,细腻精妙处的炉火纯青;一男一女老少两位检察官的不同考量而激盪出的互动、辩证,起诉的战略方针往往不只是黑白分明的司法正义考量,而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气,Law & Order更不只是关在摄影棚里编造天马行空的离奇案件,它每回总是不犹疑地定睛盯上社会中的敏感命题。

高清影院

法律与秩序第十季
美国英语1999
  纽约警察和检察官的故事,跨越15个春秋,1990年首播,至今仍受到亿万观众瞩目的长剧。  law & order第55届艾美奖最大的遗憾,已连续11年入围剧情类最佳电视剧奖提名的这部热门电视剧,这次却意外地未被提名,粉碎了它原本想要缔造的12次提名新高。  本片融警匪与法庭于一体的电视剧,片中讲述的犯罪基本原于真实生活,往往是近期报纸上的头条新闻。节目分为两部分,上半部分介绍警察研究现场,征询证人,提审嫌疑犯等一系列的侦破活动,后半部分详尽记录了案件侦破的后期工作,案件转交到检查官手里,检查官衡量案情,起诉,直到庭审,节奏紧凑,扣人心弦。由于最终坏人不一定被绳之于法,所以观众看的时候往往暗自捏一把汗。  这个剧集除了已经播出的15季之外,还包括3个特别的系列,一个是  Special Victims Unit 系列(6季),一个是Criminal Intent 系列(4季),和Trial By Jury  系列。可见其火爆程度。堪称NBC历史上,乃至美国影史上最宏伟的剧集。  "In the criminal justice meijubar.net system, the people are represented by two separate yet equally important groups: the police, who investigate crime; and the district attorneys, who prosecute the offenders. These are there stories. "  这是Law & Order十四年如一日,也是我百听不厌的开场白,是以Law & Order franchise(包括spin-off的SVU)都兼有探员的办案过程跟检察官在法庭上的滔滔雄辩,这二者相互分庭抗礼成为Law & Order奠定其cop drama之教父地位的独特魅力,但是近来每回看Law & Order,都彷彿只是在等待后半小时的法庭戏上,也不是说前面的办案就不精采,但是总要在进入起诉过程中才显出本剧的成熟、世故,细腻精妙处的炉火纯青;一男一女老少两位检察官的不同考量而激盪出的互动、辩证,起诉的战略方针往往不只是黑白分明的司法正义考量,而牵扯到背后司法制度及其偏狭漏洞、细微的政治空气,Law & Order更不只是关在摄影棚里编造天马行空的离奇案件,它每回总是不犹疑地定睛盯上社会中的敏感命题。

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