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目击证人第一季
美国英语2016
  USA有线台先前直接预定了10集新剧《目击者 Eyewitness》。该剧是根据挪威的犯罪惊悚小说Øyevitne改编。改剧由《警魂 Shades of Blue》的创作人Adi Hasak打造,同时他也会是该剧的编剧和制片人。Catherine Hardwicke负责执导。  《目击者Eyewitness》讲述的是两个无知的青少年兼情侣(其中一人由Tyler Young饰演)在丛林里目睹了一场枪击事件,且从枪击事件中死里逃生的故事。尽管他们一直死守着这个秘密以防犯罪分子找到他们,但却发现他们所看到的情景一直萦绕在他们的脑海里挥之不去。  Tyler Young饰演Philip O’Brien,是个感性的年轻男孩,见识过不少痛苦的事。他原本在平和的小镇里,准备与养母Helen重过新生活,而且他还爱上同校的男生Lukas,但目击到枪击事件改变了一切。  Julianne Nicholson则饰演养母Helen Torrance,曾经在大城市中当凶杀案警探。她抛开自己那令人难受的工作,并成为小镇警长及贤淑的妻子;然而枪击事件重新揭开她过去的心灵创伤,而且同时她还面对一件同样艰难的任务:照顾领养的Philip。  《得州崛起 Texas Rising》的James Paxton饰演Lukas Hallenbeck,他像个已获得一切的青少年,包校园括人气﹑炫酷的越野摩托车﹑全校最性感的女生等,但在这表面下,他一直被自己的性取向所困扰。当他遇上Philip后,他终于接受了自己的性取向,并跟他成为情侣,直至他们目击到枪击事件。  《升天 Ascension》主演Gil Bellows饰演正派﹑正直的兽医Gabe,他对Helen那种带自毁倾向,因为领养﹑凶杀案而面临破碎婚姻的生活感到同情;另外Tattiawna Jones以循环角色身份加盟,饰演Kamilah,一个不轻言认错的FBI探员,发现自己因为案件而夹在工作及身陷麻烦的妹妹之间。  Matt Murray加盟饰演循环角色,副警长Tony Michaels,他是警长Helen的左右手,能够良好管理他负责的警区。  挪威的原版小说《目击者Eyewitness》在剧情上惊悚恐怖,不仅揭露了犯罪细节,还揭晓了目击者自身的秘密。挪威的原版剧集去年在NRK Drama播出过,Anneke von der Lippe凭借剧中的女警探角色赢得了International Emmy最佳女演员奖。

高清影院

不安分的年轻人们
法国法语1958
  Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...    Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.    Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.    Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.    Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

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