罗马第二季搜索结果

高清影院

加州靡情第一季
美国英语2007
  showtime秋季档大作Californication(《加州靡情》),能让我们一睹X档案中特别探员Mulder多年后重返银幕后的风采。  showtime依然延续了严肃主题黑色幽默的传统,本片以小说家Hank Moody为线索,这样一个失意作家,在毒品与性爱中徘徊不前。女儿的负担,前妻的尴尬。如此男人,到底怎样过活,尽在Californication、  我们的X档案中那个意气风发的探员转眼成了失意作家,年近50的他和剧中主角Hank有颇多相似之处,从X档案的光环到如今平平反响,可以说这部剧集也算为他量身定做了。  短短半个小时的pilot中,主要角色关系十分微妙,戏剧冲突感十分强烈。除此之外,一向以热辣大胆风为主的有线台在本剧中也是挥毫泼墨,灵与肉的撞击,理智与欲望的冲突,层层交织。  Californication,为您讲述失意男人们的故事!

高清影院

难以置信的事实
美国英语1989
  Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.  Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)  As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.  The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).  Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.

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