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最后的科学怪人
日本日语1991
  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.  comments from imdb:  This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.  This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.  The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.  I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.  15 out of 10 and then some. 10/10  Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.  And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.  The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".  Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

高清影院

荷尔德林的陶
大陆国语2011
  电影《荷尔德林的陶》(Hlderlin’s Pottery)是一部65分钟的中国电影 ,由90后导演王子元执导 。影片的场景限定在一所空房间里 ,全片仅运用28个镜头拍摄完成。《荷尔德林的陶》以三个彼此生活紧密交织的男女为轴,尝试碰触爱与欲望的底线。  影片简介:  荷尔德林(1770~1843)德国著名抒情诗人,古典浪漫派诗歌先驱,德国文坛当时最高尚,最优雅的灵魂之一。1770年3月20日生于内卡河畔的劳芬,两岁失去了生父,九岁失去了继父。早年在登肯多夫修道院学习。1788年起在图宾根神学院学神学。1793年起在法国的波尔多等地当家庭教师并参加了反抗土耳其的战争。1802年,当荷尔德林得知挚爱一生的女人狄奥提玛不幸死去的讯息后身心交瘁,处于精神分裂状态,遂从大西洋海岸的法国西部城市波尔多出发,徒步穿越了草原、森林、大海,穿越了整个法国后回到了故乡德国。1807年起,荷尔德林在图宾根的一所幽暗孤寂的古堡顶端神智混乱的独自生活了36个年头,留下了诗稿《塔楼之诗》后,于1843年逝世。诗人死后几乎被遗忘了近一百年,直到20世纪中叶,才在德国被重新发现,并在欧洲建立了声誉。代表作有《自由颂》、《漫游者》、《返回家乡》、《给大地母亲》、《怀念》等。影片《荷尔德林的陶》根据这段历史,讲述了中年女摄影师陈琳,助理芳芳及男模特小山的一段缠绵悱恻的情感故事。  中年女摄影师陈琳在她的摄影工作室居住了近十年。十年间她从未离开过工作室,一边工作一边写作。十年的时光里只有年轻的化妆助理芳芳一直陪伴在陈琳身边,跟她居住在这间摄影工作室里,并悉心照顾着陈琳。不久,芳芳喜欢上了男模特小山, 很快便怀有了小山的孩子。当芳芳决定离开陈琳的时候,陈琳终于找到了行走在路上的荷尔德林。

高清影院

丛林的孩子
其它其它2011
  根据莎宾娜·库格勒自传《来自石器时代的女孩》改编  莎宾娜·库格勒五岁时,随着从事语言研究和传教的父亲,来到西巴布亚原始森林深处「失落的峡谷」中,一个至今还停留在石器时代、传说中的食人族部落。这个金发小姑娘对热带丛林一见钟情。她学习狩猎、攀爬,在鳄鱼出没的河里游泳。她会用弓箭射杀毒蜘蛛,不用火柴就能生火。她吃的是烤昆虫,而不是炸薯条;嘴巴里嚼的不是口香糖,而是蝙蝠翅膀。她认识到,大自然有时是多?残酷,人与人之间的仇恨又意味着什么。曾经是食人族的法虞部落,所有的过失都必须用死来偿还,但正是在这样的一个部落,莎宾娜赢得了很多兄弟姐妹。  十七岁,莎宾娜˙库格勒被送回瑞士一间寄宿学校就读。这如同一次可怕的切割,「在这里我才学会害怕,」置身现代城市,她必须重新学习如何购物、如何向人问候、如何穿越马路……。如今,她似乎完全适应了,甚至已成为文明社会所谓的经济学家。但她却思乡情切,对丛林深处的家的渴望,不停烧灼着她,她开始问自己:我到底是谁,是法虞人?还是欧洲人?什么是文明?原始的定义又如何?这是一个文明人进入原始部落的故事,也是一个原始人进入文明世界的故事。作者用她独特的生命经验与故事,为我们对文化的想像插上了翅膀,让我们对现代生活有了更多的检视角度。

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