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高清影院

橙色阻击
大陆国语2005
  西西里岛突然发生了几起黑帮团伙性火拼,一国际贩毒集团抢走了刚研制的第三代毒品的配方及成品。公安部获悉:一代码为”三D“的神秘女子携带毒品的配方及样品秘密的潜入了中国的沿海城市--海阳市,认为该市定有其组织在我国大陆设立的毒品生产基地,公安部命令海阳市公安局务必严查!  根据通报,海阳市公安局立即部署展开大规模的搜捕行动,市刑警队长及警员安子终在酒店内将”三D“女郎抓获,可为时已晚,她已身中剧毒,配方及样品不知去向,临死前她只吐出”章鱼“二字,”章鱼“是谁,又是谁要杀人灭口?案情扑朔迷离。  正当警方全力调查”章鱼“之际,毒贩山鸡、飞狐得到指令:”章鱼“进入警方视野,速灭!”章鱼“已死,根据线报,目标直指山鸡、飞狐,而二人也相继被杀!螳螂捕蝉,黄雀在后,几次事件,贩毒集团意识到内部存有卧底公安的事实,立即调查,几名卧底警察被杀,并公然弃尸向我警方示警!气焰如此猖獗,警方极为震惊,线索中断,案情无法进展,对方又固若金汤,稍有不慎,便会鱼死网破,公安部及海阳市公安局唯有决定收回拳头,被迫再次派遣卧底打入毒贩中心,警员安子临危受命,抛开一切,踏上不归的卧底之路……  经多方查探证实:该国际贩毒集团的势力不仅仅盘踞于大陆、香港及澳门,而是遍布亚洲各地,均由”教父“一人掌控,他表面是亚洲著名的大企业家、慈善家,实际为亚洲最大毒品供应方,多年的贩毒,制毒生涯,造就他的阴毒与魅秘,他从不轻信任何人。海阳市这个具有特殊地理环境的城市他十分看重,并已经营多年,政府各主要部门早已暗藏棋子,因而保证了他几年来在我国的毒品生意一帆风顺。安子了解其组织在各地的盘踞地点及海阳市官场上的重重黑幕,发出了最后一道情报,英勇牺牲!  公安部获悉,异常悲痛,更为震惊,联同国际刑警组织,为求将国际贩毒集团各地的势力一举摧毁及生擒”教父“,一场周密的行动方案已立即展开……

高清影院

盲目的丈夫们
美国英语1919
  Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

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