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香港国语2007
  唐仁佳(夏雨 饰)是个坐拥6亿资产的草根富豪,与正室凌巧(李司祺 饰)相敬如宾,小姨凌莉 (米雪 饰)早年感情受创而致力帮助姐夫打理生意,海味店迅速发展为连锁经营。  长子唐至安(陈豪 饰)是个养子,但夫妻俩却把他当作亲生儿子看待,把生意都交给他打理,至安也不辜负养父母的期望,表现出色。仁佳与凌巧也有两名子女,至逸(黄宗泽 饰)、至欣(陈法拉 饰),凌巧持家有道,以理服人,对妾侍王秀琴(关菊英 饰)生下的儿子至欢(黎诺懿 饰)也疼爱有加。  一家人和睦融洽,相亲相爱,但妾侍王秀琴却是不能忽视的人物,对凌巧表面敬佩服从的她事实上内心充满了怨恨,而一个隐瞒多年的秘密,成为了家族恩怨纠缠不清的导火线。  另一方面,至安认识了家境贫困的女大学生常在心(钟嘉欣 饰),至安一次次邦在心解决问题,慢慢对在心也产生了爱慕之情,但在心喜欢的是年轻有为的律师程亮(林峰 饰)。风流倜傥的林峰却与在心的好友水明霞(蒙嘉慧 饰)发展一段情,当在心知道后,伤心欲绝。  金钱纠纷,感情瓜葛,到最后又能否有个终结呢?

高清影院

造物的奇迹
其它其它1925
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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