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海豹六队第一季
美国英语2017
  于美国时间1月18日首播的《海豹六队 Six》,这部被预订8集的剧由奥斯卡提名兼前越南老兵William Broyles,与他的儿子David Broyles所执笔,背景为美国海军海豹突击队第六分队,剧集讲述他们在14年成功击杀一个在阿富汗的塔利班领导人后,却发现有美国公民与恐怖份子合作。这剧是根据现实发生过的任务改篇,每季的地点皆不同,首季定于非洲。地点是根据非洲现实的学生绑架案得到灵感。《国土安全 Homeland》的导演Lesli Linka Glatter将会执导该剧头两集。  Barry Sloane饰演John Graves,绰号Bear,海豹六队新任队长,希望能在家庭﹑部队﹑个人之间取得平衡。Kyle Schmid饰演机智﹑高效率,冷静的Alex Caulder,是个资深的海豹突击队成员,也是海豹六队的重要成员。即使出任务时有可能危及到他个人或家庭关系,但他仍然能把他们放在一边以专心于行动,就因为他对与自己出生入死的兄弟十分忠诚。  Juan Pablo Raba饰演Ricky Ortiz,绰号Buddha,是海豹六队的老鸟。Edwin Hodge将饰演Robert Chase,是个受训中的海豹突击队员,目前被考虑代替Ricky Ortiz的位置。他能快速完成挑战,但会犯一些新手的错误。  《盾牌 The Shield》及《火线警探 Justified》的主演Walton Goggins饰演Richard “Rip” Taggart,一个粗暴﹑憔悴﹑气势汹汹的军人,曾经是海豹六队的队长,他在任务中作出一个令人质疑的决定。在离职两年后,他在非洲工作,负责保护一个免被恐怖组织博科圣地(Boko Haram)侵袭的小村,并因此在面对他们袭击时被俘虏。海豹六队得摒弃自己的意见,拯救他们的前队长。此角色本来由Joe Manganiello饰演。  Nadine Velazquez饰演Jackie,是个坚强的军嫂,他的丈夫Ricky Ortiz正考虑在海豹六队退役,但被征召完成最后一个任务。Brianne Davis饰演Lena Graves,John Graves的妻子,是个辛勤工作的老师。Christopher Backus饰演Sean,是个在非洲拍摄当地情况的记者。Dominic Adams饰演本剧的反派Michael。  另外Jaylen Moore饰演绰号Fishbait的Armin Khan、Donny Boaz饰演绰号Buck的Beauregard Buckley,以及Nondumiso Tembe饰演Na'omi。

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好汉两个半第六季
美国英语2008
  本剧是美国CBS电视台的金牌喜剧,目前已获得1项艾美奖,7项其他各类大奖,包括2项金球奖提名在内的18项各类提名。  Charlie是一个潇洒自由的单身汉,但正面临离婚危机的兄弟Alan带着儿子Jake的突然来访完全打乱了Charlie悠然自得的生活,三个男人一台戏,这下可有得乐了,在去年全美情景喜剧收视一片低迷的大背景下《Two and a Half Men》强势出击,夺下该类剧集收视全国第二的骄人战果,不得不让人刮目相看。  两个半男人是因为小Jack也很好色啦,年纪太小,只能算半个。  主角是兄弟两个charlie sheen--经典电影华尔街,野战排,电视the spin city政界小人物的男主角,the west wing白宫风云总统扮演者Martin sheen(电影现代启示录) 的儿子,007女郎丹尼斯里查兹的前夫,离婚中。  他是花花公子的典型,对女人很有手段,做广告配乐的,几乎不工作,却能赚大把的钱,穿梭不断的美女和音乐就是他生活的主题。可是alan的出现打破了他单身汉的快乐生活。  Alan被老婆赶了出来,和兄弟Charlie住在一起。工作是指压按摩师。他是一个有责任心,对妻子百依百顺的好丈夫,但是唧唧歪歪的性格,粘粘糊糊的脾气,让人想到唐僧。一直试图和妻子和好,分居了还老回去乾家务,她却宣布自己是女同性恋。  一个儿子Jake,胖胖的很可爱,虽然年纪小小,也有点好色,无论多少东西都吃得下。大智若愚的性格,让他成为本剧的大亮点,一点不输给两个成年的男主角。和蜡笔小心有得一拼。  值得一提的是 几个配角,让兄弟两个对女人产生阴影的魔鬼老妈,刻薄的前妻,拽得要死的清洁女佣,还有和Charlie共渡一夜之后就跟踪了他两三年的邻居Rose  故事就在这三个主角和他们周围的女人中发生。by:m.yakubd.cc

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荣耀六十年
英国英语1938
  Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor

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